I used to work on the video side of post-production, while training in audio. I assisted Online Editors, VFX Artists and Colourists on some of the biggest TV shows at the time. My jobs included conforming offline edits back to the original camera rushes, managing colour and making sure the image was the best possible quality. Mainly working in DaVinci Resolve and Autodesk Flame, I helped deliver UHD HDR pictures, often in ACES colour space, to broadcasters and streaming platforms.
This gave me a huge insight into editing in all its forms, plus, kept my head engaged in technical workflow for TV post. It’s been a great foundation of experience.
Here’s some faves that I worked on:
Formula 1: Drive To Survive
Series 3, 4 & 5
Box to Box Films
Netflix
DI Assistant
Make or Break
Series 1 & 2
Box to Box Films
Apple TV
DI Assistant
MH370: The Plane That Disappeared
Raw TV
Netflix
DI Assistant
Lucky!
Jiva Maya
Netflix
DI Assistant
Freeze the Fear with Wim Hof
Hungry Bear Media
BBC One
DI Assistant
Cheat
Talkback
Netflix
DI Assistant
The Most Hated Man on the Internet
Raw TV
Netflix
DI Assistant
The Confession
Click Post TV
Amazon Prime Video
DI Assistant
The Grand Tour
Series 2, 3 & 4
W. Chump & Sons
Amazon Prime Video
DI Assistant
Clarkson’s Farm
Series 1 & 2
Expectation TV
Amazon Prime Video
DI Assistant
Avoidance
Celador
BBC One
DI Assistant
Am I Being Unreasonable?
Boffola
BBC One
DI Assistant
Mortimer & Whitehouse: Gone Fishing
Series 3 & 4
Owl Power TV
BBC Two
DI Assistant
Long Way Up
Click Post TV
Apple TV
Conformer
Detectorists
Christmas Special
Lola Entertainment
BBC Two
DI Assistant
Death to 2021
Broke & Bones
Netflix
Conformer
The Witchfinder
Baby Cow Productions
BBC Two
Conformer
Jason Pinches 
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